When you are working on a layer mask, rather than just brush randomly – it is often useful to actually see the channel/greyscale image that is making up the layer mask.
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Selecting colours when you are using the brush tools can be a bit of a long-winded process
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Layer masks are fantastic and offer the ultimate way to create editable transparency, but sometimes you don’t need them to mask off a layer.
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When working with digital images an often overlooked final job is sharpening.
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It is sometimes hard to be accurate when using the Clone Stamp (sometimes called the Rubber Stamp) tool
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